Ebert's File/Interesting Stuff
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The below info was taken from posts made to the scifi.com Bboard made
by Eberts (Mike McCafferty) .
So when "I" appears in the posts its Eberts speaking, not me.
And all of the Eberts files are in order of episodes aired.
***
CAT AND MOUSE
* The Chinese
guy who got killed in the intro works at Stu Segall on
occasion.
* Daniel Roebuck
(agent Miller)
is one of those actors that keep popping up. You may remember him from
"Matlock", "US Marshalls" or "The Late Shift" as a be-chinned Jay Leno. He makes a great "Guy you love to
hate" , except on the set in which he was fabulous. Someone pointed out that it's strange that an actor of his caliber
would take
that a small role unless he might come back sometime. Strange indeeed...
(hmmm...)
* I
don't believe Eberts is Jewish, but out of deference to Hobbes he wore a
yarmulke (or kippah) during the funeral.
* The
funeral once again occurred at Mt. Hope Cemetary.
* Eddie
ad-libbed a funny line at the end of the book keeping scene that got cut.
At the end, he looks at the books
and asks
"Who ordered the sushi?" Eberts says nothing but sheepishly buries his head
in the book.
* Eddie also
ad-libbed the "He's already invisible" line.
*
The number to the president is on speed dial. Originally
it was left unclear that it was the president that Miller was
speaking
to. Josh Butler set it during rehearsals.
BEHOLDER
* I loved
the tri-dimensional data viewers! What fun they were. If you listen, Darien
and I pronounce "data" in it's
two different forms. This is because I pronounced it differently on different takes and Vince followed my lead. The
result as
you may well guess is two different takes in one scene. Tomato, Tomato,
potato...
* The slides actually featured 3-D
shots from the movie "Dinosaur" except one that had disney shots. I used
that one.
The hard
part was trying to speak about serious topics while looking at Bambi and
Snow White.
* Someone pointed out that I have
the difficult job of leading beautiful women around the agency. Yes, it is
grueling
but Eberts somehow carries on. In the lab scene, the script only says that 'The Offical looks at Eberts, who then
escorts Leila out.' My question was, how would Leila know it was time to leave if no one said anything? While I
pondered the idea of just dragging her out unannounced, I managed to talk Josh into letting me ad-lib a little line so
that
she would know.
* More
praise for Vince. The actress who played Leila had to act blind, Vince WAS
blind. The contacts that gave
his eyes the milky appearance made his vision completely blurred. As a result, most of the day he had to be led
around by the make-up crew. The high point was during a break when Eddie was telling a long and involved joke
to everyone where the punch-line was visual. Vince had to have it explained to him. It was only then that I really
realised
how much this guy gives to the show.
* My toughest run-on
sentence was the second scene in The Officials office. It was such a mouth
full and Josh is a
stickler for accuracy that many a take were wasted getting the
line.
* The beach at the ocean
during the photo shoot is Ocean Beach in Point Loma, the sunset was in La
Jolla.
* The
last of our "Cemetary" trilogy. One more and I think we win a prize or
something...
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